Entertainment & Humor MIDDLE AGE MUSINGS Recent Posts  >  Movie Review of the Week – “Suffragette”

Movie Review of the Week – “Suffragette”

Movie Review of the Week – “Suffragette”
Print pagePDF pageEmail page

By Alison Bailes

“Deeds not words” is the battle cry of Emmeline Pankhurst, the leader of the women’s suffrage movement in Britain in 1912. It’s a dangerous exhortation, especially these days when terrorism has become the evil twin of activism, and watching this film, it’s hard not to think of current social and political unrest around the globe. More explicit are the comparisons to modern day fights for equal rights, equal pay and equal education.

Carey Mulligan (“Far from the Madding Crowd”, “Drive”) is the emotional heart of the story, playing the fictional Maud, a working-class laundress in London. Despite her grueling work, abusive boss and impoverished existence, she is content, with an adorable son and a loving husband Sonny (Ben Whishaw, “Skyfall”). She hardly questions her lot in life until she witnesses a fellow worker committing a “civil act of disobedience” (throwing a brick through a shop window) with the rallying cry “Votes for women!” A mild interest becomes an overriding commitment as she is gradually politicized, ostracized and radicalized.

It’s a frightening evolution and one can’t help feeling that Maud is pushed to extremes by the very forces that are trying to stop her and her fellow suffragettes. It is through police brutality and prison deprivation (and later force-feedings) that she grows stronger in her determination to fight (shades of America’s War on Terror here). After 50 or so years of peaceful demonstration and petitioning for change, Pankhurst’s suffragettes feel like they have no choice other than to turn to acts of civil disobedience, including vandalism and bombings (with express orders not to harm anyone). Pankhurst is portrayed by Meryl Streep in a tiny, but commanding appearance.

Mulligan gives a powerful, wrenching performance as Maud, transforming from a reticent young woman to an outspoken advocate for her cause. Arrested and questioned by Police Inspector Steed (Brendan Gleeson), her anger bubbles over in a riveting scene that elicits applause from audiences. Gleeson has an unsympathetic role, yet manages not to be simply the villain and Whishaw expresses the confusion of a simple man who casts out his wife when she causes a “disgrace” to his family. Equally strong are Anne-Marie Duff as Maud’s political co-worker and Helena Bonham Carter as the militant pharmacist’s wife who organizes meetings and protests.

Production design looks amazing with original costumes from the period and actual London locations used whenever possible. Cinematographer Eduard Grau shoots in a washed out palette of greys and blues and the hand-held camera work lends a fluidity and immediacy to the action. When the final scene dissolves into archival footage from 1913 you will feel roused and inspired…only to be horrified at the following scroll of dates documenting the years women got the vote in various countries.

A labor of love for the writer Abi Morgan (“The Iron Lady”) and director Sarah Gavron (“Brick Lane”), this project took over 6 years to come to our screens. And while people in the world still fight for basic human rights, the film will continue to be relevant beyond a simple history lesson. A perfect hybrid of the personal and the political, Morgan and Gavron have made a vibrant period piece that is timely and universal.

 

 

 

 

Related Posts Plugin for WordPress, Blogger...
Alison Bailes is the film critic for More Magazine, a freelance journalist and industry reporter. She reviews movies for WOR am radio and contributes to Parade.com. She also guest hosts the New York Film Critics Series and maintains her own film website www.alisonbailes.com. From 2005-2009 Alison co-hosted the NBC Universal weekly movie review show “Lyons & Bailes Reel Talk”. She and Jeffrey Lyons shared their different perspectives on the latest film and DVD releases, gave viewers the latest news from the box office and reported on industry trends. “Reel Talk” also featured celebrity interviews. Prior to joining WNBC, Alison created “At The Angelika” for the Independent Film Channel. She wrote, produced and hosted this monthly look at the independent film scene, which later became known as “At The IFC Center.” Previously, Alison was a senior producer of the weekly film magazine show, “Flix” on VH1. She began her career at CNN, working for their daily entertainment news show “Showbiz Today.” A UK native, Alison has lived in the United States since 1989. She graduated from Oxford University, with a Bachelor of Arts degree in French and German Literature. An avid athlete, she also received a sporting honor, half-blue, in rowing.